Sundance’ The Pod Generation: Director Sophie Bart on artificial intelligence, the future of motherhood, and the relationship with technology and nature

in Sophie BartThe third function, the sci-fi satire “The Pod Era”, is being proven within the Premieres collection at Sundance Movie CompetitionThe French-born director explores synthetic intelligence, commodification, motherhood, and our relationship to each expertise and nature, in addition to critiques progress, consumption, and our lifestyle.

“The Pod Era,” additionally written by Bart and produced by the exec, is the winner of the Alfred B. Sloan Function Movie, It Follows Rachel (Emilia Clarke) and Alfie (Chiwetel Ejiofor), a New York couple able to take their relationship to the subsequent stage and begin a household, embarking on the journey of being pregnant by way of removable synthetic wombs.

“Regardless that we conceived of the expertise as having to be right here to assist us, I really assume it makes us let go of our instincts,” Bart tells Selection. “We are inclined to put a variety of religion now in the truth that expertise can achieve this many issues for us. However then each time we hand over one thing, for the sake of comfort, we lose part of ourselves as human beings.”

The concept for “The Pod Era” got here to Bart in “surreal goals” when she was pregnant together with her first little one about 13 years in the past, “The scenario in New York is so surreal. It is nearly seen as a illness.” An inconvenience or one thing, as an alternative of celebrating motherhood and the truth that being pregnant is such a robust factor it brings a few fantastic expertise.”

She provides, “I used to be like, ‘Okay, possibly it might be an important reduction to not be pregnant for 9 months and simply be like guys, present the factor and pay for it, and it might be all taken care of.'” However what can we lose within the course of as ladies? I am not saying ladies should get pregnant if they do not need to, however you lose the truth that childbirth is an incredible pressure, and I feel males even have a type of envy. [of that]. “

The expertise within the pic is all VFX, created by Brussels-based VFX firm Benuts. Pushed by her love of “handcrafted” sci-fi as seen within the movies by Michel Gondry, Spike Gornes, and Charlie Kaufman, all of whom she admires, the pods within the movie have been made with “little technological enter” and lots was achieved on digicam. By way of aesthetics, Bart opted for a female strategy, noting that “a variety of science fiction could be very masculine. They’re normally very rectangular and all white or all black, and I needed to do science fiction with pastel colours and the place the shapes have been spherical,” she says, including that she discovered The inspiration is within the designs of the late British-Iraqi architect Zaha Hadid, in addition to the curvy French cubist painter Marie Laurencin and the American modernist painter Georgia O’Keeffe “as a result of I really like her colour palette and a variety of the flowers she painted I feel are symbols of the womb and the womb.”

The completely different generations — millennials, X, Z, and so on. — in addition to New York Metropolis pods through the pandemic when folks “powdered” the pic’s title concept, which the director recollects was “white” in improvement. “How about this subsequent technology? As a result of all the things within the film is in capsules – nature in a pod, kids in capsules…”, she inquires.

Bart says she has researched AI lots and is “obsessive about it and our relationship with it”, which is why her subsequent undertaking can be about AI and she or he additionally has a “surreal bio” of American realist painter Edward Hopper and his spouse Josephine Hopper within the pipeline.

The producers are Nadia Kameleshi, Genevieve Lemal, Yann Zeno and Martin Metz at Quad Movies and Scope Footage. MK2 handles worldwide gross sales with CAA Media Finance representing US gross sales.

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